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Learn how to edit and mix professional-grade audio with Audition CC , the popular audio post-production application from Adobe. Adobe® Audition™ User Guide for Windows®. If this guide is distributed with software that includes an end-user agreement, this guide, as well as the software. Adobe Audition CC Classroom in a Book Adobe. Creative Team The fastest, easiest, most comprehensive way to learn Adobe Audition CC.

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Page In Edit View, select or play a range of the waveform. Page Click this button to scan the highlighted selection and show all frequencies present Scan in that selection. By default, Adobe Audition analyzes only the center point of a selected range. To analyze the overall frequency of a selected range, click Scan. Page To zoom in on a particular area of the Phase Analysis graph, use the horizontal and vertical rulers. Normalize Select from the following options: Display menu Page RMS formula.

Use the Histogram tab to identify prevalent amplitudes, and then compress, limit, or normalize them with an amplitude effect. Select Left or Right to display either the left or right channel in the foreground. To view numerical waveform statistics: In Edit View, select an audio range.

Page Removing Noise 5 to Run Size is the second most important parameter. A setting of about 25 is best for high-quality work. Level of detected clicks and pops B. You can access these settings in the Display tab of the Settings dialog box. Most clicks appear as bright vertical bars that extend from the top to the bottom of the waveform display. To reduce hiss: In Edit View, select an audio range.

Set the desired options. Using the Noise Reduction effect Edit View only The Noise Reduction effect dramatically reduces background and broadband noise with a minimal reduction in signal quality. This effect can remove a wide range of noise, including tape hiss, microphone background noise, cycle hum, or any noise that is constant throughout a waveform. Use this effect to remove very narrow frequency bands, such as a 60 Hz hum, while leaving all surrounding frequencies untouched.

Page measured in degrees or group delay measured in milliseconds , depending on whether the Phase or Delay option is selected. Group Delay milliseconds B.

In Effects tab of the Organizer window, expand Amplitude, and double-click Envelope. You can use this effect to limit or compress dynamic range, producing a consistent level of perceived loudness.

In the Effects tab of the Organizer window, expand Amplitude, and double-click Normalize. You can add subtle or psychedelic audio effects, and you can even correct the pitch of an out-of-tune singer. Page As a result, you can use this effect to bring up the volume of the vocals, lead bass, or kick drum or remove any of them from the stereo mix. Using the Doppler Shifter effect Edit View only The Doppler Shifter effect creates the increase and decrease in pitch we notice when an object approaches and then passes us, such as when a police car passes with its siren on.

You can also use it to create some truly out-of-this-world special effects. Adobe Audition uses a direct-simulation method of achieving a chorus effect, meaning that each voice or layer is made to sound distinct from the original by slightly varying the timing, intonation, and vibrato. The resulting sound has a phase-shifted, time-delay effect, characteristic of psychedelic recordings of the s and s. For example, the Pitch Correction effect can correct an out-of-tune vocalist or instrument, and the Stretch effect can stretch or shrink audio without altering pitch or tempo.

If you add the dynamic delay or Dynamic EQ, which has a similar principle to Multi- track View, you get a new envelope that determines the delay. Page The number of echoes is adjustable up to , Keep in mind that the more echoes you include, the more time Adobe Audition needs to process the effect.

You can create a spatial, stereo expansion effect by setting the virtual microphones farther apart than your actual stereo speakers. However, they give an impression of space. With Adobe Audition, you can customize the reverb and replicate a variety of room environments.

For slightly faster processing and more control, you can also use the Studio Reverb effect. Page To get a feel for Convolution, open and play with some of the sample Impulse. While this function is far from a complete MIDI authoring studio, it provides a quick and simple way to put a sample to music.

Note: This selection must be under ten seconds long. Page Split points are determined by the crossover frequencies you specify. Each copy of the waveform is placed in its own track in the session window. You can then edit or apply effects to each band separately. Page CHAPTER 6 Applying Stereo, Pitch, and Delay Effects For example, using the default setting of three bands with crossover values of and creates three copies of the selected waveform: one with the frequencies of the selected wave from 0 to Hz, one from to Hz, and one from to Hz or whatever the maximum frequency present is, based on the sample rate.

Page Note: If you select a range by dragging across a clip, that clip is selected by default; if you Ctrl- click the clip, you will deselect it. In the Effects tab of the Organizer window, expand Multitrack, and double-click Vocoder. Page Working With Sessions You can base new sessions on the default session, borrowing default settings such as device Page Click OK. Setting the default session After you set a default session, it opens when you start Adobe Audition.

The default can also serve as a template for new sessions, letting you share settings such as device assign- ments and master volume levels across multiple sessions. Page The Mix Gauge displays the progress of background mixing, a process that Adobe Audition completes whenever you edit a mix for example, by moving a clip or changing track volume. Longer settings allow for faster mix editing, but they might cause drop outs. You can easily move clips to different tracks or timeline positions.

You can also edit clips nondestructively, trimming their start and end points, crossfading them with other clips, and more. Alternatively, right-click any clip in the group, and choose Group Color. Select a color, and click OK. To align clips: Hold down Ctrl, and select the clips. Page Drag to edit clip edges. Alternatively, right-click the clip, and choose Full. Page With the Clip Duplicate command, you can duplicate repetitions of a clip in a track without consuming additional disk space.

You can also specify the spacing between each repetition. Crossfades consist of a fade out and a fade in over a transition region. Page You can quickly time stretch a clip either by dragging or setting time stretch properties. When you set properties for time stretching, you also specify which method of time stretching to use. Page Working With Audio Tracks Working with audio tracks You can record and mix up to tracks in Adobe Audition, and each track can contain as many clips as you need—the only limit is hard disk space.

The track controls appear to the left of the track display, and you can resize these controls to be as wide or narrow as you wish. Though you can quickly access most of these options in the track controls, the Track Properties window offers channel and bit depth menus, and visual sliders for volume and pan.

Page Same For All Tracks. To specify an output device for a track: In the track controls, click the Out button. Select a hardware output from the Devices list or a bus output from the Busses list. Setting track channel and bit depth To set the channel and bit depth for a track, use the Track Properties dialog box.

Track Properties dialog box with channel menu revealed and bit-depth menu highlighted To set channel and bit depth for a track Note, however, that saved sessions store only changes made in Adobe Audition; be sure to also save any changes made in the ReWire slave application. If the Organizer window is closed, right-click the FX button in the track controls, choose Rack Setup, and add the effect in the Effects Rack dialog box.

Page To change the ratio of dry to wet sound that the track outputs, move the Dry Out slider and the effects sliders. To combine effects in serial or parallel groups, click either Serial or Parallel.

Page Automating Mixes With Clip Envelopes After you apply real-time effects to a track and edit them, you can lock the track to save processing power for other mixing tasks—an important consideration for complex mixes. Adobe Audition stores locked tracks in the background mix, removing them from the CPU load.

Page To move all control points up or down by the same amount, hold down Alt while you drag. However, some synthesizers are programmed so that velocity changes pitch or harmonic content.

Page To automate volume and pan changes over time, use clip envelopes. The Track Mixer A. Track controls B. Control display buttons C. Page Pan shows and hides the Pan controls. Opens the Adobe Audition Playback Devices window, which lets you assign the Out 1 output properties for the selected track. Page Scroll bar Using the Bus Mixer Adobe Audition gives you the ability to organize multiple tracks into buses, which are especially useful for grouping related tracks and collectively adding real-time effects or adjusting volume.

For example, you can output four tracks of background vocals to one bus, and then apply one reverb effect to that bus. Bus controls B. Click the Bus Mixer tab, and then click New in the right-most Bus channel.

So for those of you who want to edit audio, there is no need to doubt the ability of this software. In the latest update in the creative cloud version, Adobe was releasing many new features, tools and system upgrades.

Well, that was a massive update, right? Which means there is a bit of bumbling around, and referencing other good tutorials. This is a very human approach that opens the door to plenty of other lessons.

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